An Interview with Carrie Singleton by Marilyn Levinson Carrie, how did you end up living in Clover Ridge, CT? When I was young, my brother and I spent summers at my father’s family farm outside of Clover Ridge, CT. I had fond memories of those days. After college, I got a degree in library science […]
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It’s All About How You Tell the Story by Leslie Karst Like Debra—the host of this fabulous blog—my career before becoming a mystery author was in the legal profession. I spent twenty years as a civil attorney specializing in research and appellate work, which was basically akin to writing a term paper every day of
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2018 ANTHONY AWARDS – SHORT STORY – PART TWO by Debra H. Goldstein The Anthony Awards, given for excellence in different aspects of mystery, have been presented at the Bouchercon World Mystery Conference since 1986. The purpose of this two-part blog, which began on Friday, August 19 (https://debrahgoldstein.com/2018-anthony-awards-short-stories-part-one-click-comments/) is to provide you with an opportunity
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2018 ANTHONY AWARDS – SHORT STORIES – PART ONE by Debra H. Goldstein Jen Conley – “God’s Gonna Cut You Down” – Just To Watch Them Die: Crime Fiction Inspired by the Songs of Johnny Cash – https://www.jenconley.net/ My story is called, “God’s Gonna Cut You Down.” It was written for the anthology, Just To
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Researching for Authenticity in Historical Fiction by D.J. Niko Researching historical fiction and thrillers with historical themes is a little like going down the rabbit hole: you have to enter another world and come out, sweating and panting, on the other side before you can actually get it. When you research and write about the
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Reading to Recharge by Debra H. Goldstein No deadlines! No responsibility! What was I to do with myself once I turned in the second book for Kensington’s new Sarah Blair cozy mystery series, the final edits for the first book, One Taste Too Many, the synopsis for the third book in the series, and a
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Small Towns—Where Everybody Knows Your Name by Lynnette Austin Small town versus city. It’s one of the first things a writer needs to know when plotting a story. Generally, though, the story itself makes that decision…or the main character, although it’s sure fun to drop a big city gal into a small town or to
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HOW I WRITE MYSTERIES by Sandra Robson When I start writing a new book, I begin with a blank piece of poster board and a strong sense of place. A three-story, desolate-looking house in Newport, Rhode Island, an ancient white stucco church in New Mexico, a London street in relentless rain—the aura of an intriguing
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coming from Kensington on December 18! – available for pre-order https://www.amazon.com/Taste-Many-Sarah-Blair-Mystery/dp/1496719476
Sometimes a Picture Says it All Read More »
Finding Your Voice: Plotter or Pantser by James M. Jackson Every author is told to “find your voice,” as though they left it under the hydrangea in the side yard. I suggest that if you write enough, your voice will find you. Voice is what comes naturally to you: the cadence of your sentences, the
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